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Published or Performed
Sorex recorded on transhuman by New Muse Piano Duo
Doolittle, E., 2017
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
falling still recorded on An Eventful Morning in East London by the English Symphony Orchestra and Harriet MacKenzie
Doolittle, E. & Mackenzie, H., 2017
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Sapling recorded on A Quinary by Vancouver Island Symphony
Doolittle, E. & Dyck, C., 2020
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
(re)cycling I: metals
Doolittle, E., 17 Nov 2023
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Performance of (re)cycling I: metals at Rainy Days Festival, Luxembourg
Doolittle, E., 17 Nov 2023
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Performance of (re)cycling I: metals at RCS
Doolittle, E. & Architek Ensemble, 20 Nov 2023
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Below the Surface: 1. Fossils, 2. Anemones
Doolittle, E., Lossy, R. & Richardson, R., 22 Sept 2021
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Fronteiras Explorers: Beyond the border, there's threat and seduction
Domingues D'Avila, F., Jun 2016.
Research output: Contributions to conferences › Paper
Published or Performed
The Illusion of Truth
Domingues D'Avila, F. & Menzies, M., Aug 2017
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Practice research methods from Theatre Anthropology to Theatre Anthropophagy
Domingues D'Avila, F., 6 Nov 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
The Highland Bagpipe: Music, History, Tradition
Dickson, J., 2009, Ashgate.
Research output: Books, editions or reports › Book › peer-review
Published or Performed
Music Will Out: The Canntaireachd of Mary Anne Linsay
Dickson, J., 2013, In: Review of Scottish Culture. 25, p. 146
Research output: Contributions to journals › Article › peer-review
Published or Performed
'Piping Sung, Woman, Canntaireachd and Role of the Tradition Bearer'
Dickson, J., 2013, In: Scottish Studies. 26
Research output: Contributions to journals › Article › peer-review
Published or Performed
'Take it in, not to heart': Making expectations of collaborative learning explicit
Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The changing nature of conceptualisation and authenticity among Scottish traditional musicians: Traditional music, conservatoire education and the case for post-revivalism
Dickson, J., 2018, Understanding Scotland Musically : Folk, Tradition and Policy . West, G. & McKerrell, S. (eds.). Routledge
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
A Response to 'MacLeod's Controversy': Further Evidence of the Pibroch Echo Beat’s Basis in Gaelic Song
Dickson, J., 30 Dec 2020, Musica Scotica (Title TBC). Grant et al, M. J. (ed.). Edinburgh: Musica Scotica
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
When Piping was Strong: Tradition, Change and the Bagpipe in South Uist
Dickson, J., 9 Mar 2007, Edinburgh: John Donald Publishers Ltd. 336 p.
Research output: Books, editions or reports › Book › peer-review
Published or Performed
Practice-Based Piping Scholarship: An Overview
Dickson, J., 2019, The William Kennedy Lectures: Lectures from 25 years of the William Kennedy Piping Festival. Armagh: Armagh Pipers Club
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
an incomplete autobiography
Diaz, J., 2021
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
self portrait - 2021: for any instrument
Diaz, J., 2022
Research output: Performances, compositions and other non-textual forms › Composition

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Browse Work

Sorex recorded on transhuman by New Muse Piano Duo

falling still recorded on An Eventful Morning in East London by the English Symphony Orchestra and Harriet MacKenzie

Sapling recorded on A Quinary by Vancouver Island Symphony

(re)cycling I: metals

Performance of (re)cycling I: metals at Rainy Days Festival, Luxembourg

Performance of (re)cycling I: metals at RCS

Below the Surface: 1. Fossils, 2. Anemones

Fronteiras Explorers: Beyond the border, there's threat and seduction

The Illusion of Truth

Practice research methods from Theatre Anthropology to Theatre Anthropophagy

The Highland Bagpipe: Music, History, Tradition

Music Will Out: The Canntaireachd of Mary Anne Linsay

'Piping Sung, Woman, Canntaireachd and Role of the Tradition Bearer'

'Take it in, not to heart': Making expectations of collaborative learning explicit

The changing nature of conceptualisation and authenticity among Scottish traditional musicians: Traditional music, conservatoire education and the case for post-revivalism

A Response to 'MacLeod's Controversy': Further Evidence of the Pibroch Echo Beat’s Basis in Gaelic Song

When Piping was Strong: Tradition, Change and the Bagpipe in South Uist

Practice-Based Piping Scholarship: An Overview

an incomplete autobiography

self portrait - 2021: for any instrument

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