Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    The Power of Song as the Voice of the People

    Bennett, M., 2013, The Phenomenon of Singing International Symposium IX. Adams, K. & Rose, A. (eds.). St John's Newfoundland: Memorial University, Newfoundland, Canada

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

    Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    The Roots of Living Tradition

    Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    The Singer behind the Song and the Man behind the Microphone

    Bennett, M., 2011, 'Tis Sixty Years Since: The First People's Festival Ceilidh and the Scottish Folk Revival. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Towards convergence: academic studies and the student performer

    Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Twenty-seven thoughts on one breath

    Gonzalez, L., 2020, On Care. Kivland, S. & Jagoe, R. (eds.). Hastings: Ma Bibliothèque, p. 69-75 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  8. Published or Performed

    'Un tas de petits choses' et de petits mystères pour quatre mains

    Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  9. Published or Performed

    Wha’s like us? A new Scottish conservatoire tradition

    Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD

    Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Accepted/In press

    What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

    Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Chapter › Research › Not peer-reviewed
  16. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    Liquidscapes: The Sea and Self

    Bissell, L., 30 Sep 2019, Liquidscapes. Povall, R. (ed.). art.earth, p. 165-172

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    Max the Symphonist

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    Music, Dance and Drama

    Duffy, C. & Kleiman, P., 2020, A Handbook for Teaching & Learning in Higher Education. Marshall, S. (ed.). 5th ed. London: Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter