Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Chapter › Research › Not peer-reviewed
  5. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  6. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  7. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  8. Published or Performed

    Liquidscapes: The Sea and Self

    Bissell, L., 30 Sep 2019, Liquidscapes. Povall, R. (ed.). art.earth, p. 165-172

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. Published or Performed

    Max the Symphonist

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  10. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    Music, Dance and Drama

    Duffy, C. & Kleiman, P., 2020, A Handbook for Teaching & Learning in Higher Education. Marshall, S. (ed.). 5th ed. London: Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Muzyka Petera Maxwella Daviesa

    McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  13. Published or Performed

    Performance in a Pandemic

    Bissell, L., 30 Jun 2020, Doing Arts Research in a Pandemic. London: The Culture Capital Exchange, p. 52-53 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  14. Published or Performed

    PIECES FOR A NEW COUNTRY

    MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  15. Published or Performed

    Pillow Talk: The Legacy of Adrian Howells in Glasgow

    Bissell, L. (ed.) & Thorpe, J. (ed.), Jun 2016, It's All Allowed: The Performance of Adrian Howells. Heddon, D. & Johnson, D. (eds.). Bristol, p. 288 299 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  16. Published or Performed

    Practice-based research at the Royal Scottish Academy of Music and Drama

    Broad, S., 2006, Konstnarlig forskning: Artiklar, Prjektrapporter & Reportage. Lind, T. (ed.). Stockholm: Swedish Research Council, p. 17-25 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    Style in Performance

    Broad, S., 2010, Research-Teaching Linkages: Enhancing Graduate Attributes: Creative and Cultural Practice. Neil, K. (ed.). Glasgow: Quality Assurance Agency Scotland

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    The Development of Industrial Brass Instrument Making in Britain

    Myers, A. & Nex, J., Oct 2019, Music and the Second Industrial Revolution. Sala, M. (ed.). Brepols, p. 177-198 22 p. (Music, Science and Technology; vol. 2).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    The French Trombone’s Conquest of Britain

    Myers, A., 2019, Musiques. Images. Instruments.: Mélanges en l’honneur de Florence Gétreau. Balmer, Y., Framboisier, A., Guilloux, F. & Massip, C. (eds.). Belgium: Brepols, p. 567-79 13 p. (Music and Visual Culture; vol. 5).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    The John Webb Collection

    Myers, A., 2016, Instrumental Odyssey: A Tribute to Herbert Heyde. Libin, L. (ed.). Hillsdale, N.Y.: Pendragon Press, p. 279-288 10 p. (Bucina: The Historic Brass Society Series; no. 9).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    Tracking the Dys-Dance: Choreographing for the Dys-Utopia

    Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47

    Research output: Contributions to books, editions, reports or conference proceedingsChapter