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  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  3. Published or Performed

    What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD

    Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  4. Accepted/In press

    What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

    Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  5. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  6. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  7. Published or Performed

    К вопросу о “неорусском” стиле в русской музыке рубежа XIX—XX веков.

    Zvereva, S., 1997, Вестник Российского гуманитарного научного фонда.. Moscow, Russia: Российский гуманитарный научный фонд, p. 158-165

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  8. Published or Performed

    Музыкальные центры России конца XV— середины XVII века и их роль в складывании единой общерусской традиции пения

    Zvereva, S., 1988, Acta musicologica. Musica antiqua. VIII. Bydgoszsz, Poland: Filharmonia Pomorska, Vol. 8. p. 1071-1085

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  9. Chapter › Research › Not peer-reviewed
  10. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  11. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  12. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

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