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Published or Performed
The New Wallace Collection
Wallace, J., Miller, J., Logan, J., Johnson, S. & George, T., 21 Nov 2014
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind Department: Stevenson Winds and Friends
Wallace, J., Macleod, F., McAuley, C. & Mitchell, S., 22 Nov 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
J.S.Bach: The Cello Suites, BWV 1007-1012
Watkin, D., 2015
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
How to write the perfect beginning and end
Watson, A. & Folb, N., Nov 2012, In: Journal of Writing in Creative Practice. 5, 2, p. 205-221 16 p., 5.
Research output: Contributions to journals › Article
Published or Performed
Dyslexia, writing and performance
Watson, A. & Folb, N. (ed.), 2 Apr 2013, R-A-S-P. 44 p.
Research output: Books, editions or reports › Book
Published or Performed
There's no point crying over spilt milk
Watson, A., Oct 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Not [sic]: Choreographing a radically affirmative perspective of dyspraxia
Watson, A., 8 Nov 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Dust yourself off and try again
Watson, A., Jan 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
-ish: Performed at The Southbank Centre, London, as part of the Unlimited Festival
Watson, A., 9 Sept 2018
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Tracking the Dys-Dance: Choreographing for the Dys-Utopia
Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Classics Unwrapped at Big Guitar Weekend
Watt, I., Savaloni, S., MacDougall, J. & McAllister, M., 3 Nov 2012
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Double Reed Concert: Sponsored by Crowthers and Simmonds Music
West, S., Hubbard, D., Teale, A., Kennard, R. & Mitchell, S., 19 May 2014
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Baroque Bassoons
Whelan, P., 9 Dec 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.
Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Scottish Ballet’s Dancers’ Education Group (DEG): An Evaluation
Whiteside, B., 2016, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
Dance for Parkinson's Scotland (DfPS) Programme: An Evaluation
Whiteside, B., 2017, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
'The Close', Scottish Ballet's Flagship Project for At-Risk Young People: An Evaluation
Whiteside, B., 2017, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
High Kicks, Heel Stomps and High Cuts: Performing the Data Collection.
Whiteside, B., 2013, ESRC Research Capacity Building Clusters; National Summit Conference 2013.. Bryson, J., Scully, J. & Clegg, B. T. (eds.). Aston University
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
Moving Sites: Investigating Site-Specific Dance Performance’ by Vicky Hunter, ed.
Whiteside, B., 2016, In: Scottish Journal of Performance. 3, 1
Research output: Contributions to journals › Book/Film/Article review
Published or Performed
The Irish Dancing Body: Cultural Politics and Identities, 1900-2000 by Barbara O’Connor
Whiteside, B., 2015, In: Leisure Studies. 34, 5
Research output: Contributions to journals › Book/Film/Article review

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Browse Work

The New Wallace Collection

Woodwind Department: Stevenson Winds and Friends

J.S.Bach: The Cello Suites, BWV 1007-1012

How to write the perfect beginning and end

Dyslexia, writing and performance

There's no point crying over spilt milk

Not [sic]: Choreographing a radically affirmative perspective of dyspraxia

Dust yourself off and try again

-ish: Performed at The Southbank Centre, London, as part of the Unlimited Festival

Tracking the Dys-Dance: Choreographing for the Dys-Utopia

Classics Unwrapped at Big Guitar Weekend

Double Reed Concert: Sponsored by Crowthers and Simmonds Music

Baroque Bassoons

The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

Scottish Ballet’s Dancers’ Education Group (DEG): An Evaluation

Dance for Parkinson's Scotland (DfPS) Programme: An Evaluation

'The Close', Scottish Ballet's Flagship Project for At-Risk Young People: An Evaluation

High Kicks, Heel Stomps and High Cuts: Performing the Data Collection.

Moving Sites: Investigating Site-Specific Dance Performance’ by Vicky Hunter, ed.

The Irish Dancing Body: Cultural Politics and Identities, 1900-2000 by Barbara O’Connor

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