Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    Performed Identities

    Broad, S. & Beech, N., Jan 2020, The Oxford Handbook of Identities in Organisations. Brown, A. (ed.). Oxford: Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Performing Music, Performing the Figure: Deleuze and Painting

    Fitch, L., 2017, The Dark Precursor: Deleuze and Artistic Research. D'Assis, P. & Guidici, P. (eds.). Leuven: Leuven University Press, p. 76-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    Plant Lore in Gaelic Scotland

    Bennett, M., 1991, Flora of the Outer Hebrides. Pankhurst, R. & Mullin, J. (eds.). London, UK: British Museum of Natural History & Pelagic Publishing

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Practising Research, Playing With Knowledge

    Broad, S. & Duffy, C., 2015, Practice as Research in Music: Theory, Criticism, Practice. Dogantan-Dack, M. (ed.). Aldershot: Ashgate, p. 33-51 19 p. (Sempre Studies in the Psychology of Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Quebec and the Eastern Townships of Canada: Emigration from the Outer Hebrides in the Nineteenth Century’

    Bennett, M., 2010, Island Emigrants: The History of Emigration from the Hebrides Over the Centuries. Randall, J. (ed.). Isle of Lewis: Island Book Trust

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  8. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  9. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    Reflection and the Classical Musician: Practice in Cultural Context

    Broad, S. & Hunter, M., Dec 2017, Musicians in the Making: Pathways to Creative Performance. Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    Reflection and the Classical Musician: Practice in Cultural Context

    Broad, S. & Hunter, M., 2017, Musicians in the Making. Rink, J. & Gaunt, H. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    Repetition and Performativity: Site-Specific Performance and Film as Living Monument

    Birch, A., 2012, Performing Site-Specific Theatre. Tompkins, J. (ed.). Palgrave Macmillan

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    Rivalry, Camaraderie and the Prima Donnas: Elizabeth Billington & Gertrude Mara

    Robertson-Kirkland, B. E., 19 Nov 2018, Exploring the Lives of Women, 1558–1837 . Duckling, L., Read, S., Roberts, F. & Williams, C. D. (eds.). London: Pen and Sword, p. 109-120 11 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Robert Macleod: Fife Miner-Poet and Broadside-Maker

    Bennett, M., 2019, Street Literature and the Circulation of Songs. Atkinson, D. & Roud, S. (eds.). Cumbria, UK: The Ballad Partners

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Seduction in Works of Art

    Gonzalez, L., 29 Jul 2016, Seduction in Popular Culture, Psychology, and Philosophy. Martins, C. & Damásio, M. (eds.). Hershey PA: IGI Global, p. 165 187 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Spiritus(,) carminis

    McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Stories of the Supernatural: From Local Memorate to Scottish Legend

    Bennett, M., 2009, Fantastical Imaginations: The Supernatural in Scottish History and Culture. Henderson, L. (ed.). Edinburgh, Scotland: John Donald Publishers Ltd.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    Struileag – Guthan troimh na Linntean’ – ‘Voices Across the Generations’

    Bennett, M., 2015, Struileag - Shore to Shore: : Cladach gu Cladach. Edinburgh, scotlnd: Polygon An Imprint of Birlinn Limited

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    'Take it in, not to heart': Making expectations of collaborative learning explicit

    Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  22. Published or Performed

    The changing nature of conceptualisation and authenticity among Scottish traditional musicians: Traditional music, conservatoire education and the case for post-revivalism

    Dickson, J., 2018, Understanding Scotland Musically : Folk, Tradition and Policy . West, G. & McKerrell, S. (eds.). Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  23. Published or Performed

    The Cycle as Modular Composition: The Motetti Missales of Gaspar van Weerbeke

    Fitch, F., 2018, Gaspar van Weerbeke: New Perspectives on his Life and music. Lindmayr-Brandl, A. & Kolb, P. (eds.). Turnhout and Tours: Brepols, p. 151–76

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  24. Published or Performed

    The Folklore of Plants in Scotland

    Bennett, M., 1996, Plants and People: Economic Botany in Northern Europe, 800-1800. Dickson, J. H. & Mill, R. R. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  25. Published or Performed

    The Image of the Teacher in Religious Educational Literature

    McKinney, S. & Jaap, A., 2013, How the Teacher is presented in literature, history, religion and the Arts: cross-cultural analysis of a stereotype. McCluskey, R. & McKinney, S. (eds.). Ceredigion: Edwin Mellen Press Ltd

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  26. Published or Performed

    The metanoia of teaching: translating the identity of the contemporary academic

    Benske, K., Cunningham, C. & Ellis, S., 2016, Identity work in the contemporary university: exploring an uneasy profession. Smith, J., Rattray, J., Paseta, T. & Loads, D. (eds.). Rotterdam: Sense, p. 181-193

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  27. Published or Performed

    The 'Œuvres complètes de Claude Debussy' thirty years on

    Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  28. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  29. Published or Performed

    The Power of Song as the Voice of the People

    Bennett, M., 2013, The Phenomenon of Singing International Symposium IX. Adams, K. & Rose, A. (eds.). St John's Newfoundland: Memorial University, Newfoundland, Canada

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  30. Published or Performed

    The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

    Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  31. Published or Performed

    The Roots of Living Tradition

    Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  32. Published or Performed

    The Singer behind the Song and the Man behind the Microphone

    Bennett, M., 2011, 'Tis Sixty Years Since: The First People's Festival Ceilidh and the Scottish Folk Revival. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  33. Published or Performed

    Towards convergence: academic studies and the student performer

    Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  34. Published or Performed

    Twenty-seven thoughts on one breath

    Gonzalez, L., 2020, On Care. Kivland, S. & Jagoe, R. (eds.). Hastings: Ma Bibliothèque, p. 69-75 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  35. Published or Performed

    'Un tas de petits choses' et de petits mystères pour quatre mains

    Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  36. Published or Performed

    Wha’s like us? A new Scottish conservatoire tradition

    Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  37. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD

    Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  39. Accepted/In press

    What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

    Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  41. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  42. Entry for encyclopedia/dictionary › Research › Peer-reviewed
  43. Published or Performed

    ‘Canntaireachd’; ‘Clarsach’; ‘Ossianic ballads’; ‘Panegyric’; ‘Psalms’; ‘Puirt-a-beul’; ‘Scottish Gaelic Lyrical Songs’; ‘The Ireland-Scotland Link’; ‘Waulking Songs’,

    Bennett, M., 1999, Companion to Irish Traditional Music. Vallely, F. (ed.). Dublin, Ireland: New York University Press & Cork University Press; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  44. Published or Performed

    Arranging

    McAulay, K., 2014, Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, W. F. (ed.). Thousand Oaks, CA: Sage, Vol. 1. p. 83-87 5 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  45. Published or Performed

    Bards

    McAulay, K., 2014, Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, W. F. (ed.). Thousand Oaks, CA: Sage, Vol. 2. p. 123-126 4 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  46. Published or Performed

    Borders

    McAulay, K., 2 May 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 382-384 3 p. (Sage Reference).

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  47. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  48. Published or Performed

    Jean-Jacques Eigeldinger

    Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  49. Published or Performed

    Librarianship

    McAulay, K., 2 May 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 1334-1336 3 p. (Sage Reference).

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  50. Published or Performed

    Wales: History, Culture and Geography of Music

    McAulay, K., 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 2338-2341 4 p. (Sage Reference).

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  51. Published or Performed

    Wales: Modern and Contemporary Musical Practice

    McAulay, K., 2 May 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 2342-2343 2 p. (Sage Reference).

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  52. Conference contribution › Research › Not peer-reviewed
  53. Published or Performed

    Historic Brass Instruments: A review of preventive and remedial conservation practices in EUCHMI

    Myers, A. & Poulopoulos, P., 2016, Diagnostic and Imaging on Musical Instruments: selected proceedings of the 1st and 2nd International Workshop, 2010-2011 Ravenna, Italy. Marconi, E. (ed.). Florence: Nardini Editore, p. 55-78 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

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