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Published or Performed
Plug 1: Red Note with RCS MusicLab
Walker, G., Rubtsov, A., Cooper, T., MacDonald, A., Tallan, R., Brabbins, M., Samuel, L., Slimings, J. & Mackay, S., 3 May 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Royal Conservatoire of Scotland Symphony Orchestra
Walker, G., Mathieson, H. & Ciobanu, D. P., 24 Apr 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Red Note / MusicLab
Walker, G., Grant, D., Beeston, J., Elliot, C., Standley, R., Morley, R., Green, A., Broderick, P., Hunter, T., Smith, S., Brady, G., MacDonald, A., Milroy, F., Cooper, T., Broom, C. & Bacchetti, A., 8 May 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Royal Conservatoire of Scotland Symphony Orchestra
Walker, G. & Nunn, A., 1 Mar 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Royal Conservatoire of Scotland and Gleneagles Gala Concert
Walker, G., MacMillan, J., Dean, T., Slimings, J., Nunn, A., Cousland, P. & MacDougall, J., 17 Mar 2017
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Adam Walker Flute Masterclass
Walker, A., 24 Jan 2014
Research output: Other contributions › Other contribution
Published or Performed
The New Wallace Collection
Wallace, J., Miller, J., Logan, J., Johnson, S. & George, T., 21 Nov 2014
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind Department: Stevenson Winds and Friends
Wallace, J., Macleod, F., McAuley, C. & Mitchell, S., 22 Nov 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
J.S.Bach: The Cello Suites, BWV 1007-1012
Watkin, D., 2015
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
How to write the perfect beginning and end
Watson, A. & Folb, N., Nov 2012, In: Journal of Writing in Creative Practice. 5, 2, p. 205-221 16 p., 5.
Research output: Contributions to journals › Article
Published or Performed
Dyslexia, writing and performance
Watson, A. & Folb, N. (ed.), 2 Apr 2013, R-A-S-P. 44 p.
Research output: Books, editions or reports › Book
Published or Performed
There's no point crying over spilt milk
Watson, A., Oct 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Not [sic]: Choreographing a radically affirmative perspective of dyspraxia
Watson, A., 8 Nov 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Dust yourself off and try again
Watson, A., Jan 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
-ish: Performed at The Southbank Centre, London, as part of the Unlimited Festival
Watson, A., 9 Sept 2018
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Tracking the Dys-Dance: Choreographing for the Dys-Utopia
Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Classics Unwrapped at Big Guitar Weekend
Watt, I., Savaloni, S., MacDougall, J. & McAllister, M., 3 Nov 2012
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Double Reed Concert: Sponsored by Crowthers and Simmonds Music
West, S., Hubbard, D., Teale, A., Kennard, R. & Mitchell, S., 19 May 2014
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Baroque Bassoons
Whelan, P., 9 Dec 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.
Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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Browse Work

Plug 1: Red Note with RCS MusicLab

Royal Conservatoire of Scotland Symphony Orchestra

Red Note / MusicLab

Royal Conservatoire of Scotland Symphony Orchestra

Royal Conservatoire of Scotland and Gleneagles Gala Concert

Adam Walker Flute Masterclass

The New Wallace Collection

Woodwind Department: Stevenson Winds and Friends

J.S.Bach: The Cello Suites, BWV 1007-1012

How to write the perfect beginning and end

Dyslexia, writing and performance

There's no point crying over spilt milk

Not [sic]: Choreographing a radically affirmative perspective of dyspraxia

Dust yourself off and try again

-ish: Performed at The Southbank Centre, London, as part of the Unlimited Festival

Tracking the Dys-Dance: Choreographing for the Dys-Utopia

Classics Unwrapped at Big Guitar Weekend

Double Reed Concert: Sponsored by Crowthers and Simmonds Music

Baroque Bassoons

The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

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