Browse Work

  1. 2020
  2. Published or Performed

    Salt in the Wound

    Bissell, L., 11 Sept 2020, In: PAJ: A Journal of Performance and Art. 42, 3, p. 64–69

    Research output: Contributions to journalsArticlepeer-review

  3. Published or Performed

    The sound of forgotten music: Karen McAulay uncovers some of the great female composers who have been lost from history

    McAulay, K., 11 Sept 2020, 2 p. Dundee : D C Thomson.

    Research output: Other contributionsOther contribution

  4. Published or Performed
  5. Published or Performed

    Revisiting the Achievements of Song-Collector Alexander Campbell

    McAulay, K., 9 Sept 2020, Glasgow : Romantic National Song Network (University of Glasgow).

    Research output: Other contributionsOther contributionpeer-review

  6. Published or Performed

    Harponium electrosessions

    MacDonald, A. & McKay, C., 8 Sept 2020

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  7. Published or Performed

    Rock, Pathos, Shivers: the Music of Supernatural

    Halfyard, S., 1 Sept 2020, In: Monstrum. 3, 1, p. 63-70 8 p.

    Research output: Contributions to journalsArticlepeer-review

  8. Published or Performed

    Gardenscape (Glasgow 2020)

    Doolittle, E. & Vitkauskaite, R., 17 Aug 2020

    Research output: Performances, compositions and other non-textual formsComposition

  9. Published or Performed

    On lockdown, wood pigeons, and grounding ourselves in the natural rhythms of creativity

    Doolittle, E., 14 Aug 2020

    Research output: Other contributionsOther contribution

  10. Published or Performed

    Renaissance Polyphony

    Fitch, F., Aug 2020, Cambridge University Press.

    Research output: Books, editions or reportsBookpeer-review

  11. Published or Performed

    Beethoven Violin Concerto: Closing Performance of the Victoria International Arts Festival, with Malta Philharmonic

    Gajic, A. L., 13 Jul 2020

    Research output: Performances, compositions and other non-textual formsPerformance