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Published or Performed
Amorphous Bodies: The Uncanny in Performance
Bissell, L., Sept 2010, In: Body, Space, Technology (e-journal).
Research output: Contributions to journals › Article › peer-review
Published or Performed
An edition, with critical commentary, of 45 vocalises by Gabriel Faure, 44 being published for the first time.
Howat, R. & Kilpatrick, E., 2013, C. F. Peters. 57 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
'An Extensive Musical Library': Mrs Clarinda Webster, LRAM
McAulay, K., 26 Aug 2022, In: Brio. 59, 1, p. 29-42 14 p.
Research output: Contributions to journals › Article
Published or Performed
an incomplete autobiography
Diaz, J., 2021
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
An interdisciplinary approach to Master study: Critical Artistry at the Royal Conservatoire of Scotland
Broad, S., Mar 2015.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’
McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
An Interview with Norah and William Montgomerie, with a selection of childlore and Scottish ballads from their collection
Bennett, M., 1993, In: Tocher: a periodical of the School of Scottish Studies. 19 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
An Unwritten Enlightenment Scottish Musical History, and Two Reconstructed Edinburgh Bookshelves
McAulay, K., 2013, In: Scottish Music Review. 3, 2013
Research output: Contributions to journals › Article › peer-review
Published or Performed
Ancient and Modern: RCS Wind Orchestra: Rush Hour
Boddice, N., Logan, J. & Searle, O., 15 Jan 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Animal Voices
South, A., 19 May 2019
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Anne Gunn
Robertson-Kirkland, B. E., 29 Apr 2022, Wikipedia.
Research output: Contributions to specialist professional publications › Article
Published or Performed
Annie Grey and Marjory Kennedy-Fraser: Professional Women Singers in the late Victorian and Edwardian Eras
McAulay, K., 1 Jan 2024, History Scotland, 24, 1, p. 12-17 6 p.
Research output: Contributions to specialist professional publications › Article
Published or Performed
Anthropocene
MacRae, S. & Welsh, L., 24 Jan 2019
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Antichthon: Journey to the Other Side of Space
van der Walt, J. S., 1 May 2014
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Antiquarianism versus creativity in late eighteenth- and early nineteenth-century Scottish song
McAulay, K., 2010, In: Eighteenth Century Scotland. 24, Spring, p. 7-12 6 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Antoine Brumel and the Sense of Scale
Fitch, F., 1 Dec 2015, In: Journal of the Alamire Foundation. 7, 2, p. 13–21 9 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Antoine Tamestit Masterclass
Tamestit, A. & Arder, L., 12 Feb 2014
Research output: Other contributions › Other contribution
Published or Performed
Approaching Performance Through Mediation
Birch, A., 2013, In: Experiments and Intensities. 3
Research output: Contributions to journals › Special issue › peer-review
Published or Performed
Appropriate Melodies and Natural Modes: two Victorian Scottish Songbooks
McAulay, K., 2013, In: Musical Times. 154, 1923, p. 191-206 12 p.
Research output: Contributions to journals › Article
Published or Performed
Architecture as drama in late Schubert
Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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Browse Work

Amorphous Bodies: The Uncanny in Performance

An edition, with critical commentary, of 45 vocalises by Gabriel Faure, 44 being published for the first time.

'An Extensive Musical Library': Mrs Clarinda Webster, LRAM

an incomplete autobiography

An interdisciplinary approach to Master study: Critical Artistry at the Royal Conservatoire of Scotland

An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’

An Interview with Norah and William Montgomerie, with a selection of childlore and Scottish ballads from their collection

An Unwritten Enlightenment Scottish Musical History, and Two Reconstructed Edinburgh Bookshelves

Ancient and Modern: RCS Wind Orchestra: Rush Hour

Animal Voices

Anne Gunn

Annie Grey and Marjory Kennedy-Fraser: Professional Women Singers in the late Victorian and Edwardian Eras

Anthropocene

Antichthon: Journey to the Other Side of Space

Antiquarianism versus creativity in late eighteenth- and early nineteenth-century Scottish song

Antoine Brumel and the Sense of Scale

Antoine Tamestit Masterclass

Approaching Performance Through Mediation

Appropriate Melodies and Natural Modes: two Victorian Scottish Songbooks

Architecture as drama in late Schubert

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