Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Accepted/In press

    What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

    Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    К вопросу о “неорусском” стиле в русской музыке рубежа XIX—XX веков.

    Zvereva, S., 1997, Вестник Российского гуманитарного научного фонда.. Moscow, Russia: Российский гуманитарный научный фонд, p. 158-165

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Музыкальные центры России конца XV— середины XVII века и их роль в складывании единой общерусской традиции пения

    Zvereva, S., 1988, Acta musicologica. Musica antiqua. VIII. Bydgoszsz, Poland: Filharmonia Pomorska, Vol. 8. p. 1071-1085

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Chapter › Research › Not peer-reviewed
  8. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  10. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    Liquidscapes: The Sea and Self

    Bissell, L., 30 Sept 2019, Liquidscapes. Povall, R. (ed.). art.earth, p. 165-172

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Living (in) Precarity

    Hopfinger, S., Sept 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 224-227 4 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  13. Published or Performed

    Max the Symphonist

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  14. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  15. Published or Performed

    Movements at Knepp

    Hopfinger, S., 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 147-149 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  16. Published or Performed

    Music, Dance and Drama

    Duffy, C. & Kleiman, P., 2020, A Handbook for Teaching & Learning in Higher Education. Marshall, S. (ed.). 5th ed. London: Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    Muzyka Petera Maxwella Daviesa

    McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    Performance in a Pandemic

    Bissell, L., 30 Jun 2020, Doing Arts Research in a Pandemic. London: The Culture Capital Exchange, p. 52-53 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    PIECES FOR A NEW COUNTRY

    MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    Pillow Talk: The Legacy of Adrian Howells in Glasgow

    Bissell, L. (ed.) & Thorpe, J. (ed.), Jun 2016, It's All Allowed: The Performance of Adrian Howells. Heddon, D. & Johnson, D. (eds.). Bristol, p. 288 299 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    Practice-based research at the Royal Scottish Academy of Music and Drama

    Broad, S., 2006, Konstnarlig forskning: Artiklar, Prjektrapporter & Reportage. Lind, T. (ed.). Stockholm: Swedish Research Council, p. 17-25 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    Style in Performance

    Broad, S., 2010, Research-Teaching Linkages: Enhancing Graduate Attributes: Creative and Cultural Practice. Neil, K. (ed.). Glasgow: Quality Assurance Agency Scotland

    Research output: Contributions to books, editions, reports or conference proceedingsChapter