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Chapter › Research › Peer-reviewed
Published or Performed
Spiritus(,) carminis
McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Stories of the Supernatural: From Local Memorate to Scottish Legend
Bennett, M., 2009, Fantastical Imaginations: The Supernatural in Scottish History and Culture. Henderson, L. (ed.). Edinburgh, Scotland: John Donald Publishers Ltd.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Strathspeys, Reels, and Instrumental Airs: A National Product
McAulay, K., 3 Jan 2022, Music by subscription: composers and their networks in the British music-publishing trade, 1676-1820,. Fleming, S. & Perkins, M. (eds.). New York: Routledge, p. 177-197 21 p. (Routledge Research in Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Struileag – Guthan troimh na Linntean’ – ‘Voices Across the Generations’
Bennett, M., 2015, Struileag - Shore to Shore: : Cladach gu Cladach. Edinburgh, scotlnd: Polygon An Imprint of Birlinn Limited
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
'Take it in, not to heart': Making expectations of collaborative learning explicit
Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The changing nature of conceptualisation and authenticity among Scottish traditional musicians: Traditional music, conservatoire education and the case for post-revivalism
Dickson, J., 2018, Understanding Scotland Musically : Folk, Tradition and Policy . West, G. & McKerrell, S. (eds.). Routledge
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Cycle as Modular Composition: The Motetti Missales of Gaspar van Weerbeke
Fitch, F., 2018, Gaspar van Weerbeke: New Perspectives on his Life and music. Lindmayr-Brandl, A. & Kolb, P. (eds.). Turnhout and Tours: Brepols, p. 151–76
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Folklore of Plants in Scotland
Bennett, M., 1996, Plants and People: Economic Botany in Northern Europe, 800-1800. Dickson, J. H. & Mill, R. R. (eds.). Edinburgh, Scotland: Edinburgh University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Image of the Teacher in Religious Educational Literature
McKinney, S. & Jaap, A., 2013, How the Teacher is presented in literature, history, religion and the Arts: cross-cultural analysis of a stereotype. McCluskey, R. & McKinney, S. (eds.). Ceredigion: Edwin Mellen Press Ltd
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The metanoia of teaching: translating the identity of the contemporary academic
Benske, K., Cunningham, C. & Ellis, S., 2016, Identity work in the contemporary university: exploring an uneasy profession. Smith, J., Rattray, J., Paseta, T. & Loads, D. (eds.). Rotterdam: Sense, p. 181-193
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The 'Œuvres complètes de Claude Debussy' thirty years on
Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The origins of the Œuvres complètes de Claude Debussy
Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
E-pub ahead of print
The place and value of composition in the Music curriculum in Scotland
Jaap, A. S., 2023, (E-pub ahead of print) Routledge Handbook of Teaching Music Composition: International Perspectives. Fautley, M. (ed.).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Power of Song as the Voice of the People
Bennett, M., 2013, The Phenomenon of Singing International Symposium IX. Adams, K. & Rose, A. (eds.). St John's Newfoundland: Memorial University, Newfoundland, Canada
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.
Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Roots of Living Tradition
Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Singer behind the Song and the Man behind the Microphone
Bennett, M., 2011, 'Tis Sixty Years Since: The First People's Festival Ceilidh and the Scottish Folk Revival. Bort, E. (ed.). Ochtertyre: Grace Note Publications
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Towards convergence: academic studies and the student performer
Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Twenty-seven thoughts on one breath
Gonzalez, L., 2020, On Care. Kivland, S. & Jagoe, R. (eds.). Hastings: Ma Bibliothèque, p. 69-75 7 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
'Un tas de petits choses' et de petits mystères pour quatre mains
Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Wha’s like us? A new Scottish conservatoire tradition
Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do we perform?
Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD
Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music
Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Work of Art as Analyst as Work of Art
Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Wynds, vennels and dual carriageways: the changing nature of Scottish music
McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
К вопросу о “неорусском” стиле в русской музыке рубежа XIX—XX веков.
Zvereva, S., 1997, Вестник Российского гуманитарного научного фонда.. Moscow, Russia: Российский гуманитарный научный фонд, p. 158-165
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Музыкальные центры России конца XV— середины XVII века и их роль в складывании единой общерусской традиции пения
Zvereva, S., 1988, Acta musicologica. Musica antiqua. VIII. Bydgoszsz, Poland: Filharmonia Pomorska, Vol. 8. p. 1071-1085
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Entry for encyclopedia/dictionary › Research › Peer-reviewed
Published or Performed
‘Canntaireachd’; ‘Clarsach’; ‘Ossianic ballads’; ‘Panegyric’; ‘Psalms’; ‘Puirt-a-beul’; ‘Scottish Gaelic Lyrical Songs’; ‘The Ireland-Scotland Link’; ‘Waulking Songs’,
Bennett, M., 1999, Companion to Irish Traditional Music. Vallely, F. (ed.). Dublin, Ireland: New York University Press & Cork University Press; 2nd Revised edition edition
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Arranging
McAulay, K., 2014, Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, W. F. (ed.). Thousand Oaks, CA: Sage, Vol. 1. p. 83-87 5 p.
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Bards
McAulay, K., 2014, Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, W. F. (ed.). Thousand Oaks, CA: Sage, Vol. 2. p. 123-126 4 p.
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Borders
McAulay, K., 2 May 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 382-384 3 p. (Sage Reference).
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Debussy, Claude: 10: Musical language
Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Jean-Jacques Eigeldinger
Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Librarianship
McAulay, K., 2 May 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 1334-1336 3 p. (Sage Reference).
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Wales: History, Culture and Geography of Music
McAulay, K., 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 2338-2341 4 p. (Sage Reference).
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Wales: Modern and Contemporary Musical Practice
McAulay, K., 2 May 2019, Sage International Encyclopedia of Music and Culture. Sturman, J. (ed.). Thousand Oaks: Sage, p. 2342-2343 2 p. (Sage Reference).
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Conference contribution › Research › Not peer-reviewed
Published or Performed
Brassiness and the Understanding of Brass Instruments
Myers, A., Campbell, M. & Gilbert, J., 1 Jun 2021, Proceedings, 9th Forum Acusticum, 7-11 December 2020. hal.archives-ouvertes.fr, p. 3169-3175 7 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
Historic Brass Instruments: A review of preventive and remedial conservation practices in EUCHMI
Myers, A. & Poulopoulos, P., 2016, Diagnostic and Imaging on Musical Instruments: selected proceedings of the 1st and 2nd International Workshop, 2010-2011 Ravenna, Italy. Marconi, E. (ed.). Florence: Nardini Editore, p. 55-78 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
Preserving Information relating to Instruments in Museums
Myers, A., Mar 2023, To Play or Not to Play: Corrosion of Historic Brass Instruments: Proceedings, 4th International Conference on Romantic Brass, Bern, 25 February 2017. von Steiger, A., Allenbach, D. & Skamletz, M. (eds.). Schliengen: Edition Argus, p. 120-127 8 p. 10
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
The revision of the Hornbostel-Sachs classification in 2011 by the MIMO Consortium
Myers, A. & Birley, M., 2020, Reflecting on Hornbostel-Sachs’s Versuch a century later: Proceedings of the international meeting Venice, 3-4 July 2015. Ghirardini, C. (ed.). Venice: Fondazione Ugo e Olga Levi, p. 167-180 14 p. (Quaderni di Etnomusicologia; vol. 1).
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
The Saxhorn Families
Myers, A. & Mitroulia, E., May 2020, Adolphe Sax’ Blechblasinstrumente im Kontext ihrer Zeit: Proceedings, 3rd International Romantic Brass Symposium, Bern, February 2014. von Steiger, A., Allenbach, D. & Skamletz, M. (eds.). Schliengen: Edition Argus, p. 18-34 17 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
The Typology and Timbre of the Tuba
Myers, A., 2019, Vom Serpent zur Tuba: Entwicklung und Einsatz der tiefen Polsterzungen-Instrumente mit Grifflöchern und Ventilen.: Bericht über das 33 Musikinstrumentenbau-Symposium in Michaelstein, 7-9 November 2014.. Philipsen, C. (ed.). Augsburg: Wissner, p. 159-174 16 p. (Michaelsteiner Konferenzberichte; vol. 83).
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
Translating Seascapes
Bissell, L., 2017, Artdotearth.org.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
What’s the Difference? Predicting and Characterising Timbral Distinctions between Families of Brass Instruments
Myers, A., Campbell, M. & Gilbert, J., 2021, Proceedings of the Institute of Acoustics. 1 ed. Institute of Acoustics , Vol. 43. 8 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Conference contribution › Research › Peer-reviewed
Published or Performed
‘Ambivalence Revisited: Advertising Copywriters Feelings towards Digital Media’
Grant, I. & Gilmore, C., 2010, European Marketing Academy Conference. Copenhagen
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
Account planning and integrated marketing communications
Gilmore, C., Crosier, K. & Eadie, D., 2001, Proceedings of the 6th International Conference on Corporate and Marketing Communications. Belfast
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
Advertising Agency Planning - Conceptualising Network Relationships
Grant, I. & Gilmore, C., 2006, Academy of Marketing Conference.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
At work and play: an exploration of street artists
Gilmore, C., 2018, Lisbon Street Art and Urban Creativity Conference .
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
Co-Creation and the Digital Choir. Marketing and Music in an Age of Digital Reproduction Conference.
Beech, N., Duffy, C. & Gilmore, C., 2016, Griffith University Impact Conference. Brisbane and The Art of Good Health and Well Being, 8th International Arts and Health Conference. Art Gallery of New South Wales, Sydney. .
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review

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