Browse Work

  1. Published or Performed

    Woodwind Department: Stevenson Winds and Friends

    Wallace, J., Macleod, F., McAuley, C. & Mitchell, S., 22 Nov 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  2. Published or Performed

    Woodwind: Double Reeds

    Turnbull, J., de Flammineis, A. & Mitchell, S., 22 May 2017

    Research output: Performances, compositions and other non-textual formsPerformance

  3. Published or Performed

    Woodwings

    Doolittle, E. & Chen, J., 2018

    Research output: Performances, compositions and other non-textual formsComposition

  4. Published or Performed

    Woodwings

    Doolittle, E., 9 Oct 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  5. Published or Performed

    Woodwings; Palouse Songbook; Field Guide

    Doolittle, E., 19 Jan 2019

    Research output: Performances, compositions and other non-textual formsComposition

  6. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Working in Scottish Prisons: An Artist’s Guide

    Thorpe, J. & McNeill, P. F., 11 May 2015, Creative Scotland. 43 p.

    Research output: Books, editions or reportsOther report

  8. Published or Performed

    World Enough and Time

    De Simone, J., 8 Nov 2017

    Research output: Performances, compositions and other non-textual formsComposition

  9. Published or Performed

    Wozu Image: (what’s the point of images/wherefore images)

    Gonzalez, L. & Campbell, M., 11 May 2017.

    Research output: Contributions to conferencesOtherpeer-review

  10. Published or Performed

    Wunderkammer

    MacDonald, A., 2010

    Research output: Performances, compositions and other non-textual formsComposition

  11. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    You Can't Get There From Here

    De Simone, J., Broom, C., Hammond, D., Allori, S., Searle, O., MacDonald, F. & Butler, T., 3 Oct 2015

    Research output: Performances, compositions and other non-textual formsComposition

  13. Published or Performed

    You Get What You're Given: The agency of Choral Blend according to trained ensemble singers.

    Slimings, J., Aug 2019.

    Research output: Contributions to conferencesPaperpeer-review

  14. Published or Performed

    Youth Music Initiative (YMI) Impact Evaluation Report: 2018-19

    Broad, S., Moscardini, L. & Rae, A., 2020, Creative Scotland.

    Research output: Books, editions or reportsCommissioned report

  15. Published or Performed

    К вопросу о “неорусском” стиле в русской музыке рубежа XIX—XX веков.

    Zvereva, S., 1997, Вестник Российского гуманитарного научного фонда.. Moscow, Russia: Российский гуманитарный научный фонд, p. 158-165

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Музыкальные центры России конца XV— середины XVII века и их роль в складывании единой общерусской традиции пения

    Zvereva, S., 1988, Acta musicologica. Musica antiqua. VIII. Bydgoszsz, Poland: Filharmonia Pomorska, Vol. 8. p. 1071-1085

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

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  20. Published or Performed