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Published or Performed
Weaving patterns in performance: dramaturgy and the art of performance interpreting
King, C., 1 Jul 2019, In: Scottish Journal of Performance. 6, 1, p. 11 - 29 18 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Wee Inspirations: Messy Music / Groovy Gardens / Musical Chats
Drury, R., Winger, B. & Cleland, K., 1 May 2021
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Well, Well, Malcolm
De Simone, J. & Williams, B., 18 Sept 2017
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
werk stadig
van der Walt, J. S. & Vlad, G., 29 Dec 2018
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Wha’s like us? A new Scottish conservatoire tradition
Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do we perform?
Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do you want from me?
Gonzalez, L., 12 Jul 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
What does Hysteria want from me?
Gonzalez, L., 29 Jun 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
What The Living Do: for piano solo
Hollingworth, L., 6 May 2015
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD
Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music
Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What’s the Difference? Predicting and Characterising Timbral Distinctions between Families of Brass Instruments
Myers, A., Campbell, M. & Gilbert, J., 2021, Proceedings of the Institute of Acoustics. 1 ed. Institute of Acoustics , Vol. 43. 8 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
What's Going On Now? A Study of Young People Making Music across Scotland
Broad, S., Moscardini, L., Rae, A., Smillie, G., Wilson, A. & Hunter, K., 26 Feb 2019, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
What's Going On? A National Audit of Youth Music in Scotland
Broad, S., Price, D. & Duffy, C., 2003, Edinburgh: Scottish Arts Council.
Research output: Books, editions or reports › Commissioned report
Published or Performed
when feathers appear
MacDonald, A. & McKay, C., 12 Jul 2021
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
When Piping was Strong: Tradition, Change and the Bagpipe in South Uist
Dickson, J., 9 Mar 2007, Edinburgh: John Donald Publishers Ltd. 336 p.
Research output: Books, editions or reports › Book › peer-review
Published or Performed
'Who Cares Who is Speaking?’: An Essay in Style-Criticism
Fitch, F., 2010, In: Acta Musicologica. 82, p. 49–70 22 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing
Silberschatz, M., 2014.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Why Scotland Why East Kilbride
van der Walt, J. S., Forman, S. & Ford, S., 4 Jul 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Wild Life
Hopfinger, S., 2014
Research output: Performances, compositions and other non-textual forms › Performance

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Browse Work

Weaving patterns in performance: dramaturgy and the art of performance interpreting

Wee Inspirations: Messy Music / Groovy Gardens / Musical Chats

Well, Well, Malcolm

werk stadig

Wha’s like us? A new Scottish conservatoire tradition

What do we perform?

What do you want from me?

What does Hysteria want from me?

What The Living Do: for piano solo

What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD

What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

What’s the Difference? Predicting and Characterising Timbral Distinctions between Families of Brass Instruments

What's Going On Now? A Study of Young People Making Music across Scotland

What's Going On? A National Audit of Youth Music in Scotland

when feathers appear

When Piping was Strong: Tradition, Change and the Bagpipe in South Uist

'Who Cares Who is Speaking?’: An Essay in Style-Criticism

Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing

Why Scotland Why East Kilbride

Wild Life

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