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Published or Performed
Weather sayings from Bannfshire
Bennett, M., 1994, In: Tocher: a periodical of the School of Scottish Studies. 47, p. 310-312
Research output: Contributions to journals › Article › peer-review
Published or Performed
Weaving patterns in performance: dramaturgy and the art of performance interpreting
King, C., 1 Jul 2019, In: Scottish Journal of Performance. 6, 1, p. 11 - 29 18 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Wee Inspirations: Messy Music / Groovy Gardens / Musical Chats
Drury, R., Winger, B. & Cleland, K., 1 May 2021
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Well, Well, Malcolm
De Simone, J. & Williams, B., 18 Sept 2017
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
werk stadig
van der Walt, J. S. & Vlad, G., 29 Dec 2018
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Wha’s like us? A new Scottish conservatoire tradition
Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do we perform?
Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do you want from me?
Gonzalez, L., 12 Jul 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
What does Hysteria want from me?
Gonzalez, L., 29 Jun 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
What The Living Do: for piano solo
Hollingworth, L., 6 May 2015
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD
Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music
Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What’s the Difference? Predicting and Characterising Timbral Distinctions between Families of Brass Instruments
Myers, A., Campbell, M. & Gilbert, J., 2021, Proceedings of the Institute of Acoustics. 1 ed. Institute of Acoustics , Vol. 43. 8 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
What's Going On Now? A Study of Young People Making Music across Scotland
Broad, S., Moscardini, L., Rae, A., Smillie, G., Wilson, A. & Hunter, K., 26 Feb 2019, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
What's Going On? A National Audit of Youth Music in Scotland
Broad, S., Price, D. & Duffy, C., 2003, Edinburgh: Scottish Arts Council.
Research output: Books, editions or reports › Commissioned report
Published or Performed
when feathers appear
MacDonald, A. & McKay, C., 12 Jul 2021
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
When Piping was Strong: Tradition, Change and the Bagpipe in South Uist
Dickson, J., 9 Mar 2007, Edinburgh: John Donald Publishers Ltd. 336 p.
Research output: Books, editions or reports › Book › peer-review
Published or Performed
'Who Cares Who is Speaking?’: An Essay in Style-Criticism
Fitch, F., 2010, In: Acta Musicologica. 82, p. 49–70 22 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing
Silberschatz, M., 2014.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Why Scotland Why East Kilbride
van der Walt, J. S., Forman, S. & Ford, S., 4 Jul 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Wild Life
Hopfinger, S., 2014
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Wilding Performance
Hopfinger, S., 2015, In: Performance Ethos. 5, 1-2, p. 137-144 8 p., 2.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Wilding Performance: developing an ecological practice
Hopfinger, S., 2015.
Research output: Contributions to conferences › Paper
Published or Performed
Wildness and Performance Art: University of Glasgow, College of Arts, Industry Engagement
Hopfinger, S., 27 Jan 2015
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
William Chappell and Scottish Popular Music
McAulay, K., 2008, Musica Scotica Proceedings from 2005/2006 Conferences. Glasgow: Musica Scotica, p. 43-49 7 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
William Sweeney: Tree O'Licht
Irvine, R. & Pavri, F., 2013
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Wind Orchestra: Concerto Concert
Boddice, N., Logan, J. & Bousfield, I., 12 Mar 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
With all we know
MacDonald, A., 6 Jul 2019
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
With Pain
Hopfinger, S., 2020, In Other Words. London: Live Art Development Agency (LADA), p. 28-29 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Wollstonecraft Live!
Birch, A., 24 Sept 2005
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Women’s Work: Composing a Feminist Interpretation of the Scottish Waulking Song Tradition
Haller-Shannon, E., 2023.
Research output: Contributions to conferences › Paper
Published or Performed
Women's History Special Issue: Women's Education in the Long Eighteenth Century
Robertson-Kirkland, B. E. (ed.) & Ford, E. (ed.), 10 Feb 2018, 10 ed. Women's History Network. 44 p.
Research output: Books, editions or reports › Anthology › peer-review
Published or Performed
Woodwind Department – Clarinets
Hunt, M., 11 Feb 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind Department: Clarinets on Show
Searle, O. & Boyle, R., 28 Jan 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind Department: Flute Showcase
Bryan, K., 4 Nov 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind Department: Remembering David Nicholson
Morley, R., Mitchell, S. & McGhee, L., 3 Dec 2012
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind Department: Stevenson Winds and Friends
Wallace, J., Macleod, F., McAuley, C. & Mitchell, S., 22 Nov 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwind: Double Reeds
Turnbull, J., de Flammineis, A. & Mitchell, S., 22 May 2017
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwings
Doolittle, E. & Chen, J., 2018
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Woodwings
Doolittle, E., 9 Oct 2020
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Woodwings; Palouse Songbook; Field Guide
Doolittle, E., 19 Jan 2019
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Work of Art as Analyst as Work of Art
Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Working in Scottish Prisons: An Artist’s Guide
Thorpe, J. & McNeill, P. F., 11 May 2015, Creative Scotland. 43 p.
Research output: Books, editions or reports › Other report
Published or Performed
World Enough and Time
De Simone, J., 8 Nov 2017
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Wozu Image: (what’s the point of images/wherefore images)
Gonzalez, L. & Campbell, M., 11 May 2017.
Research output: Contributions to conferences › Other › peer-review
Published or Performed
Wunderkammer
MacDonald, A., 2010
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Wynds, vennels and dual carriageways: the changing nature of Scottish music
McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
You Can't Get There From Here
De Simone, J., Broom, C., Hammond, D., Allori, S., Searle, O., MacDonald, F. & Butler, T., 3 Oct 2015
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
You Get What You're Given: The agency of Choral Blend according to trained ensemble singers.
Slimings, J., Aug 2019.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Youth Music Initiative (YMI) Impact Evaluation Report: 2018-19
Broad, S., Moscardini, L. & Rae, A., 2020, Creative Scotland.
Research output: Books, editions or reports › Commissioned report

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